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When it first appeared in 1767, The Female American was called a "sort of second Robinson Crusoe; full of wonders." Indeed, The Female American is an adventure novel about an English protagonist shipwrecked on a deserted isle, where survival requires both individual ingenuity and careful negotiations with visiting local Indians. But what most distinguishes Winkfield's novel is her protagonist, a woman who is of mixed race. Though the era's popular novels typically featured women in the confining contexts of the home and the bourgeois marriage market, Winkfield's novel portrays an autonomous and mobile heroine living alone in the wilds of the New World, independently interacting with both Native Americans and visiting Europeans. Moreover, The Female American is one of the earliest novelistic efforts to articulate an American identity, and more specifically to investigate what that identity might promise for women. Along with discussion of authorship issues, the Broadview edition contains excerpts from English and American source texts. This is the only edition available.
- Sales Rank: #786750 in Books
- Brand: Brand: Broadview Press
- Published on: 2000-10-01
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .38" w x 5.50" l, .0 pounds
- Binding: Paperback
- 300 pages
- Used Book in Good Condition
Review
"Graced by an uncommonly interesting as well as learned introduction, this edition of the virtually unknown novel, The Female American, will invigorate any collection of colonial American literature. Indeed, its obscurity up to now is surprising, for it seems as central to the modes and issues of colonial fiction as such now-standard works as Susanna Rowson's Charlotte Temple: A Tale of Truth or Hannah Foster's The Coquette." (Myra Jehlen )
"The Female American is a fascinating Robinsoniad ...an original blend of predecessor narratives by Behn, Defoe, and Penelope Aubin." (John Richetti )
"This adeptly edited, page-turner of a novel is a fascinating descendant of Robinson Crusoe and an important example of the kinds of cross-Atlantic fiction being written to explore issues of colonialism, race, gender, nationhood, and human rights in the decade before the American Revolution. In contrast to Smollett's Humphry Clinker and Brooke's The History of Emily Montague, The Female American dares to give us a bi-racial heroine, a nuanced portrait of American Indians who can ask whites 'Had you no lands of your own?' and a startling exploration of religious imperialism." (Paula Backscheider ) --Paula Backscheider
From the Publisher
The Broadview Literary Texts series is an effort to represent the ever-changing canon of literature in English by bringing together texts long regarded as classics with valuable, though lesser-known literature.
From the Back Cover
When it first appeared in 1767, The Female American was called a "sort of second Robinson Crusoe; full of wonders." Indeed, The Female American is an adventure novel about an English protagonist shipwrecked on a deserted isle, where survival requires both individual ingenuity and careful negotiations with visiting local Indians. But what most distinguishes Winkfield's novel is her protagonist, a woman who is of mixed race. Though the era's popular novels typically featured women in the confining contexts of the home and the bourgeois marriage market, Winkfield's novel portrays an autonomous and mobile heroine living alone in the wilds of the New World, independently interacting with both Native Americans and visiting Europeans. Moreover, The Female American is one of the earliest novelistic efforts to articulate an American identity, and more specifically to investigate what that identity might promise for women. Along with discussion of authorship issues, the Broadview edition contains excerpts from English and American source texts. This is the only edition available.
Most helpful customer reviews
4 of 4 people found the following review helpful.
What a woman!
By Patto
She's the fictional granddaughter of an actual historical character, Edward Winkfield, first president of the Virginia Colony.
She's also the daughter of a Native American princess. Her father married the Indian maid who saved his life during a massacre.
She can shoot a bird on the wing with bow and arrow, truer than any man she knows. But she also has a classic European education and knows Greek and Latin.
Unca Eliza Winkfield is a marvelous heroine, and she almost had me convinced that her farfetched adventures were true. The author follows the eighteenth century convention of presenting fiction as fact, to avoid charges of corrupting women readers with improper tales.
Unca Eliza is rich and outfits a ship to take her to England after her father's death. Her wealth gives the captain the idea of marrying her to his son. When she refuses, he leaves her on an uninhabited New World island.
There are Robinson-Crusoe-like elements in the plot, but the story is quite different. The pious heroine, rather than shunning the natives who visit her island, decides to convert them!
The Female American was first published in London in 1767. Contemporary critics found it "disagreeable" and "preposterous." A young woman of mixed race with Unca Eliza's courage and leadership skills was not the role model society wanted for women.
I find it interesting that the novel was re-published in Vermont in 1814, and here I am in Vermont reading it with relish almost two hundred years later!
No one has succeeded in determining the identity, gender or nationality of the author, as you'll find out in the scholarly introduction. I suggest you read this after the novel because it does reveal the plot.
Eighteenth-century novels can be hard to warm up to, but I loved this one.
2 of 3 people found the following review helpful.
Not much I admire about Unca Eliza Winkfield
By K. Gilligan
This was one of the texts I had to read for a class, and having never heard of it (except in reference to Robinson Crusoe), I had high hopes for it. Sadly, I did not enjoy it. To me, aspects of the story are so utterly ridiculous that it must be a satire. If it is a satire, then kudos to the author... but then again, if it is a satire, then nobody else seems to get it, and therefore it doesn't succeed in its goal. To me, it reads as religious intolerance.
First off, you have a wealthy, educated (and multilingual), biracial, female heroine. Absolutely unheard of at the time, and not something that readers would have been able to take seriously. Her birth only happens because her Pagan mother was converted to Christianity by her father, and Unca Eliza shrugs off much of her mother's culture to embrace Christianity. She keeps her archery ability, but gets rid of her mother's religion.
She refuses marriage with the reason that her husband must be able to use a bow and arrow better than she. An admirable stance, but unrealistic. I expect that a woman would have only been able to refuse marriage if she were wealthy, so I guess it is lucky that Unca Eliza is.
When Unca Eliza ends up on an island--the most obvious indication that this is a Robinsonade--she encounters a hermit who leaves her basically a how-to book on how to survive the island and warns her of the natives. She doesn't really figure anything out for herself. Later Unca Eliza seeks out the natives and is greatly impressed by their temple, tools, jewelry, and a giant idol which allows someone standing inside to see out of it for miles and miles. She is so impressed that she decides she must immediately convert these people. Sure they have obvious intelligence as displayed through their metal-working and architecture, but they need to be converted to Christianity because they don't know any better??
And how does she accomplish this conversion? Why through fear, trickery, and hypocrisy. She is quick to condemn these people because of their idolatry, but is also quick to use it for herself. She uses their own technology against them, pretending to be, essentially, a god in order to SCARE them into gaining their trust. She flat out threatens to destroy them. Basically she believes herself superior to them because of her religion and believes she must do whatever it takes to convert them.
And eventually she does end up getting married, despite her previous stance, so what might have been her one redeemable quality is now gone.
If anything, this story is a huge example of religious intolerance, and there's nothing I enjoy about that. If it's a satire, then it's an argument against religious imperialism... but so few seem to see that side, and therefore it fails to have the impact it should.
0 of 21 people found the following review helpful.
A snoozer
By lil sal
I didn't care for this read I feel asleep three pages into the book and it wasn't enteratining nor thought provoking.
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