Minggu, 27 Januari 2013

[C813.Ebook] Download PDF That Was Then, This Is Now, by S. E. Hinton

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That Was Then, This Is Now, by S. E. Hinton

Another classic by S.E. Hinton, author of The Outsiders

Companion to The Outsiders, That Was Then, This is Now is S. E. Hinton's moving portrait of the bond between best friends Bryon and Mark and the tensions that develop between them as they begin to grow up and grow apart. This latest edition features bonus material, and, like The Outsiders, will also maintain the same pagination as the previous edition, making it ideal for continued classroom use.

"A mature, disciplined novel which excites a response in the reader . . . Hard to forget."—The New York Times

  • Sales Rank: #6642 in Books
  • Brand: Speak
  • Published on: 1998-04-01
  • Released on: 1998-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.50" h x .50" w x 4.25" l, .28 pounds
  • Binding: Mass Market Paperback
  • 192 pages
Features
  • Great product!

Amazon.com Review
Ever since Mark's parents died, he has been living with Bryon. The boys are more like brothers than mere friends. They've been inseparable--until recently. Something seems to be changing between them, and Bryon can't figure it out. Is it Cathy, Bryon's new girlfriend? Is Mark jealous? Bryon is also tired of the street fighting, but Mark seems unable to quit. And where is Mark getting all of that money? In That Was Then, This Is Now, one of her most admired novels, S. E. Hinton paints a richly textured portrait of two boys at a crossroads in their friendship. With careful, intimate strokes, Hinton reveals a boy struggling over whether to protect his best friend or whether to follow his own beliefs about right and wrong. The ending will surprise readers, challenging them to puzzle over Bryon's dilemma in their own hearts.

Review
"A mature, disciplined novel which excites a response in the reader . . . Hard to forget."—The New York Times

"This unforgettable classic still packs a powerful message even after nearly thirty years in print."—Children's Literature 

From the Publisher
"Byron, who tells the story...feels Mark is his brother. But when he sees the effect of drugs on a gentle, friendly, young boy and discovers that Mark is a pusher, he calls the police. He hates himself for the betrayal of his friend but he's been a tough kid on the fringe of delinquency and he's aware of what happens beyond the fringe."--Saturday Review. An ALA Notable Children's Book, An ALA Best of the Best Books for Young Adults.

Most helpful customer reviews

1 of 1 people found the following review helpful.
I hate Bryon Douglas.
By danyelle
The first time I read this book I was 13 and I loved it. I couldn't relate and it angered the hell out of me but u loved it anyway. I read it again at 15 and I got a new feeling because I understood what it was like to lose friends and now I'm a senior and about to go off to college and I'm more pissed than the first time I read it and I just can't believe how things turn out. I hate bryon Douglas and I will hate bryon Douglas for the rest of my life to grow apart from your friends is one thing but friends don't turn on friends. I hate him and everything does and everything he stands for and I hate how he tries to justify his actions. I hate him.

0 of 0 people found the following review helpful.
A Powerful and Compelling Coming of Age Story
By Jiang Xueqin
"That was Then, This is Now" centers around the lives of four adolescents. There is the narrator, Byron Douglas, a handsome charming but ultimately selfish and self-absorbed teenager. There is Mark, whom Byron's mother adopted for her own and who is Byron's best friend. Mark's penchant for mischief is too often offset by his winning smile, and he maintains a fierce loyalty to his friends. The two minor but equally important characters are Cathy, a precocious young woman who falls in love with Byron, and her younger brother M&M, a sensitive and soulful hippie wannabe.

The book moves in different actions so that it seems we're reading two novels about two brothers and best friends. In the first novel, Mark and Byron are always by each other's side, and together they witness the fearsome murder of their good friend Charlie, which scars both. In the second novel, there's a love triangle -- Byron has fallen deeply in love with Cathy, and Mark feels abandoned. The novel comes to a climax when Byron commits an act that will forever severe his relationship with both Mark and Cathy.

Like in "The Outsiders", SE Hinton has a gift for understanding and speaking the language of troubled adolescent boys, making us think she is in fact one herself. And the writing is pristine and polished, as always. But the characters are far less compelling than the ones we were entranced by in "The Outsiders," and the plot far more fragile and broken.

Still, many a teenager will find "That was Then, This is Now" speaks to them in the most haunting manner possible.

0 of 0 people found the following review helpful.
Good service.
By jasmine
This was very good quality service. After I finished the book, I wanted to hurl it across the room (in a good way, you know how us book lovers are, very passionate) and scream. But, I couldn't, because I was in class. This story was very, very good. One of my favorites by S.E. Hinton. I would recommend it to fans of The Outsiders, or any of her other books really. Along with that, anyone who enjoys Realistic-Fiction, and coming of age type stories.

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Jumat, 25 Januari 2013

[G476.Ebook] Ebook Free Russia's Islamic Threat, by Gordon M. Hahn

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Russia's Islamic Threat, by Gordon M. Hahn

The notion that the Chechen-led jihad in the North Caucasus is an indigenous affair, far removed from the global Islamist jihad, is perhaps comforting to Americans and other Westerners, but it is a myth. Moreover, the North Caucasus jihad may be the harbinger of a much larger Muslim challenge to Russia’s political stability and state integrity. So concludes Gordon M. Hahn in this meticulously researched analysis of Russia’s emerging Islamic threat. Hahn draws an explicit picture of an already sophisticated and effective Chechen jihadist network that is expanding the territorial scope of its operations with inspiration and some assistance from the global jihadist movement. Given its proximity to large stockpiles of diverse weapons, the expanding population of Russian-based Islamist terrorists is particular cause for alarm, the author warns.
The book lifts the veil on the Muslim challenge to Russia’s political stability, national security, and state integrity as well as the potentially grave threat to international and U.S. security. Hahn shows that many of the demographic, historical, socioeconomic, political, and religious factors sparking jihadi revolution in Muslim countries are extant in Russia and are driving revolutionary Islamist terrorism there. In a penetrating conclusion to the book, the author analyzes the policies that have fueled the rise of militant Islam and offers a series of important recommendations for policymakers.

  • Sales Rank: #740478 in Books
  • Published on: 2007-07-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.42" h x 1.47" w x 6.46" l, 1.76 pounds
  • Binding: Hardcover
  • 368 pages

Review
"Russia's Islamic Threat" is not only a valuable addition to Russian studies, but also a landmanrk contribution to the broader literature on international terrorism and security studies from which all students of politics can and should benefit."--Dilshod Achilov, The Journal of the Politics of Religion (Dilshod Achilov The Journal of the Politics of Religion)

"'Russia's Islamic Threat' is not only a valuable addition to Russian studies, but also a landmark contribution to the broader literature on international terrorism and security studies from which all students of politics can and should benefit from."

— Dilshod Achilov, The Journal of Politics and Religion

  (Dilshod Achilov The Journal of Politics and Religion)

About the Author
Gordon M. Hahn is senior researcher, Center for Terrorism and Intelligence Studies, Akribis Group, San Jose. He is the author of Russia’s Revolution from Above, 1985-2000 and numerous articles on topics relating to Russia and the former Soviet Union. He lives in Mountain View, CA.

Most helpful customer reviews

3 of 7 people found the following review helpful.
Russia's Islamic Threat
By Michael Griswold
Russia's Islamic ThreatThis is published by Yale University press so the language is more academic and conscience making this a challenging book to read through, but if your looking for a detailed book on Islamic Terrorism in Russia then this is the book for you.

In Russia's Islamic Threat, Gordon M. Hahn talks about the spreading jihadist movement throughout many of the Muslim republics within Russia, beyond Chechnya and potential reasons why jihad is such an appealing idea to some Muslim populations within Russia like mass unemployment, and a state tendency to favor the Slavic majority within Russia. He also discusses how Vladimir Putin's recentralization of power away from the individial regions and into the hands of the state could and in many republics has given rise to radical Islamic cells within these republics that have carried out terrorist attacks in places such as Ingushetia, Dagestan, and the KBR.

Hahn closes with a discussion of policy steps that can be taken by both US and Russian forces to combat Islamic terrorism and decrease the likelihood of another Beslan or even worse a terrorist getting his hands on Nuclear material and creating a weapon that can be used to inflict mass casualties.

2 of 3 people found the following review helpful.
A selective, sneering disappointment
By Abdulahad Ayub
This is a prime exhibit of an agenda-focused, politicized book that gives a little knowledge mixed with a lot of propaganda. "Russia's Islamic threat", a very paranoid title itself, gives some insight as to the author's thought process. Happily Hahn is not exactly opposed to Islam within or around Russia--more to public manifestations. Much as neoconservatives and liberal hawks did after 9/11 for the United States, Hahn ties any and every even mild Islamist movement with the poorly conceptualized "global jihad"--by which, apparently, he means Islamists with global networks, a far less daunting prospect in a globalized world than it sounds.

Using the United States' traditional hostility towards Russia as a fig leaf to explain that Russia has been misunderstood--itself not exactly a flawed premise, but one that he exploits to the full--Hahn goes on to term any armed Islamist group within Russia as unambiguously, evil, barbaric terrorists. Not once does he mention that even the most heinous crimes of the most hardened Islamist rebels in places like Chechnya--such as the horrific Beslan school crisis--were, however horrible, a fraction of the scorched-earth, collective punishment campaign launched by the Russian state that entirely flattened Chechnya and killed anywhere from a million to two million Chechens. That is not a justification of the brutal terrorism that was waged at such venues as Beslan school by Chechen rebels, but it is entirely ignored and thereby the conflict given a one-sided, distorted history that paints Chechens as barbaric savages (with an occasional "good" Chechen, like the brutal pro-Russian puppet thug Ramzan Kadyrov) and the Russian army as a poor, misunderstood entity unfairly vilified by external observers intrinsically anti-Russia. It is true that there is an anti-Russian bias in the media, but it pales before the anti-Islam bias & in fact the bloody conflict in Chechnya has been looked through nearly exclusively through either a Russian state lens--like Hahn's own perspective--or a post 9/11 perspective--which paints, like Hahn, the Chechen rebels as barely different from Al-Qaeda--or an evasive "it's a horrible tragedy" perspective, which is certainly true but misses an in-depth coverage that is needed on both sides.

Hahn's analysis of the various Chechen actors is not bad--though again, in his attempt to paint Russia as the aggrieved stabilizer threatened by evil Chechens, he links everything, even the vaguest and most circumstantial links, to Al-Qaeda. The Arab commander Khattab, for instance, did not belong to Al-Qaeda; nor did he, as Hahn asserts, impose Saudi-style "Wahhabism" in Chechnya (indeed correspondences between rebel leaders showed that Khattab was wary of imposing his interpretation of Islam on the famously assertive Chechens). Instead the growth of Saudi-style "purist Islam" was the result of 1) foreign funds, which were not coercive but probably did make a difference and 2), most importantly, the cooption of the traditional Sufi clergy like Akhmad Kadyrov into the Russian repression, which naturally forced embittered Chechens to look elsewhere to hardline groups.

Hahn's dissection of the Islamic dimension is painful and either willfully selective or ignorant (neither can be discounted in the professional counterterrorism field, which has many embarrassingly underqualified analysts). He is better on inter-Chechen conflicts, but again selective. For instance, it is true that the hardliners like Shamil Basayev made it extremely difficult for Chechen president Aslan Maskhadov to control the briefly independent Islamic republic (1996-99). But Maskhadov was also crippled & undermined by the Russian regime, which in an attempt to consolidate the "tough on terrorism" stances of the corrupt Yeltsin and the hardline Putin always reneged on deals it made with the hard-pressed Maskhadov, only to declare him unfit and incompetent when he was backed into a corner. That goes unmentioned. So does the fact that even the most bloodthirsty and ruthless Chechen commanders, like Basayev, paled in front of the vicious pro-Russian thug Ramzan Kadyrov, who effectively became an unaccountable baron whose violence far outranked that of even Basayev and other extremists. This selectiveness is a major flaw and undermines Hahn's credibility. It is especially bizarre because Hahn does have a ton of useful information on his website. He just picks and chooses from it, always painting the darkest possible scenario"

Outside of the dominant Chechen conflict, the problem with the book's stance towards Islam is to view it--as the title implies--purely from a threat perspective, which generates a naturally defensive, reactive, paranoid & self-defeating view (this applies, by the way, not only to Russia but to Western countries like the United States, France & others who have abandoned qualified experts on Islam, Muslim history & conflict resolution in favour of ranting extremists and career scaremongers). Russia does have a significant Muslim minority that it must deal with while protecting the interests of the state & its majority citizens. But paranoid, selective regime loudspeakers like Hahn will not help.

1 of 1 people found the following review helpful.
Five Stars
By Gordon Peck
This is not good bedtime reading. It'll scare the hell out of you.

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Dynamic Anatomy, by Burne Hogarth

Exploring the expressive structure of the human form from an artist's point of view, this study describes the relationship of muscles and their effect on surrounding forms. The author demonstrates how to portray the anatomical details of the human figure in action and at rest.

  • Sales Rank: #832620 in Books
  • Published on: 1990-02
  • Original language: English
  • Number of items: 1
  • Dimensions: .73" h x 8.56" w x 10.97" l,
  • Binding: Paperback
  • 232 pages

Most helpful customer reviews

8 of 8 people found the following review helpful.
Why did I pass on this book for so long???
By A. Virili
For over 20 years I saw this book on store shelves and it didn't resonate with me. I think I was intimidated by it. In the past year, though, I saw reviews of other books where the reviewers kept referring to and comparing to the books of Hogarth. Then I came across his entire series of books in my local library and took a deeper look at "Dynamic Anatomy" and "Dynamic Figure Drawing". What I didn't realize until actually reading these books is that Hogarth makes sure you understand not only the anatomy, but every defining subtle detail of the human figure that is normally taken for granted and not consciously identified. Moreover, he draws and describes each part in three dimensional shapes and uses metaphorical descriptions that can't be forgotten. The man was genius for not only being able to see things the way he did, but more so for being able to articulate it to others as well as he did.

Best of all, in combination with "Dynamic Figure Drawing", he teaches us how to build a person in any pose in your mind and then render and sculpt that form in three dimensions on paper (or screen) without any need to reference anything. Don't try to do it with "Dynamic Figure Drawing" alone. I started with that book and couldn't wait to jump into "Dynamic Anatomy" to get a better understanding of the fundamentals.

The books are so good (and affordable), that even though I could have easily continued to check them out from the library, I purchased them to have the ultimate reference on hand at all times. They're a must for anyone rendering the human form.

0 of 0 people found the following review helpful.
Great Book.
By David Goodman
I love the book so far. It breaks down the different components of the human figure in a very specific and detailed manner. I give it four stars instead of five only because the illustrations don't quite follow what is written on that page; you end up having to skip ahead a page or two to see the picture that goes along with what he is saying.

Side note: Motor City Books (whom I bought this book from used through Amazon) needs to at least check what is in their books before they ship them. This creepy note fell out of it.

18 of 18 people found the following review helpful.
Dynamic Anatomy
By Steven Parente
This is a very good reference book for learning to draw the human figure in action. I am a commercial artist and designer, but have worked for many years on non-figurative projects. I am focusing on figurative work again, primarily in the game, fantasy and science fiction field. My goal is to draw entirely from imagination without having to use reference material, and this book by Burne Hogarth and his Drawing Dynamic Hands are helping me to reach this goal. The illustrations are very well done with good explanation and many drawings showing the figure in action. The muscles are heroic in proportion, which helps in identifying them. As an artist, you can choose to emphasize them or not... but knowing the structure is very important. I have had many life drawing sessions and have always been taught to "draw what you see", but over the years I have come to the conclusion that "drawing what you know" is equally important, both for time efficiency and quality of the finished illustration or painting. I highly recommend this book for any artist that is serious about drawing the human figure in action.

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Senin, 07 Januari 2013

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Count Magnus and Other Ghost Stories (The Complete Ghost Stories of M. R. James, Vol. 1), by M. R. James

The only annotated edition of M. R. James’s writings currently available

Count Magnus and Other Ghost Stories contains the entire first two volumes of James’s ghost stories, Ghost Stories of an Antiquary and More Ghost Stories of an Antiquary. These volumes are both the culmination of the nineteenth-century ghost story tradition and the inspiration for much of the best twentieth-century work in this genre. Included in this collection are such landmark tales as “Count Magnus,” set in the wilds of Sweden; “Number 13,” a distinctive tale about a haunted hotel room; “Casting the Runes,” a richly complex tale of sorcery that served as the basis for the classic horror film Curse of the Demon; and “Oh, Whistle, and I’ll Come to You, My Lad,” one of the most frightening tales in literature. The appendix includes several rare texts, including “A Night in King’s College Chapel,” James’s first known ghost story.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

  • Sales Rank: #72370 in Books
  • Published on: 2005-10-04
  • Released on: 2005-10-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.75" h x .60" w x 5.09" l, .51 pounds
  • Binding: Paperback
  • 288 pages

About the Author
Montague Rhodes James (1862–1936) is one of the originators and most influential writers of supernatural fiction. Among his many honors was the Order of Merit, bestowed upon him by King George V in 1930.

S. T. Joshi is a freelance writer and editor. He has edited Penguin Classics editions of H. P. Lovecraft’s The Call of Cthulhu and Other Weird Stories (1999), and The Thing on the Doorstep and Other Weird Stories (2001), as well as Algernon Blackwood’s Ancient Sorceries and Other Strange Stories (2002). Among his critical and biographical studies are The Weird Tale (1990), Lord Dunsany: Master of the Anglo-Irish Imagination (1995), H. P. Lovecraft: A Life (1996), and The Modern Weird Tale (2001). He has also edited works by Ambrose Bierce, Arthur Machen, and H. L. Mencken, and is compiling a three-volume Encyclopedia of Supernatural Literature. He lives with his wife in Seattle, Washington.

Most helpful customer reviews

93 of 96 people found the following review helpful.
Not as Comprehensive as the Oxford World Classics _Casting The Runes_
By Winter's Icy Grip
I realize that no one will probably put out a book to rival the amazing and beautiful _A Pleasing Terror_ put out by Ash-Tree Press several years ago, but Amazon's description of _Count Magnus and Other Ghost Stories : The Complete Ghost Stories of M. R. James, Volume 1_ (Penguin Classics) made it out to sound much better than it actually is, since it was listed at being 400 pages long, but is in reality a far slimmer tome of 288 pages. Very disappointing.

The book does have a nice sized font, but suffers from a thin cover (albeit with a great cover illustration), and a bit floppy overall.

The 15 stories included are among the best ghost stories ever written. But with so many book containing the works of M. R. James, I try to be a bit more discerning. This edition is brief and of decent publishing standards.

The Contents:

Introduction by S. T. Joshi

Suggestions for Further Reading

A Note on the Text

Canon Alberic's Scrap Book

Lost Hearts

The Mezzotint

The Ash-Tree

Number 13

Count Magnus

"Oh, Whistle, and I'll Come to You, My Lad"

The Treasure of Abbot Thomas

A School Story

The Rose Garden

The Tractate Middoth

Casting the Runes

The Stalls of Barchester Cathedral

Martin's Close

Mr. Humphreys and His Inheritance

Appendix

Ghost Stories

A Night in King's College Chapel

Preface to Ghost-Stories of an Antiquary

Preface to More Ghost-Stories of an Antiquary

Explanatory Notes

If you want more (More, you say?) M. R. James ghost stories in one volume, you may opt instead for _Casting the Runes and Other Ghost Stories_ (Oxford World's Classics) (Paperback) ISBN: 0192837737.

It's cheaper, and includes all the stories listed above, as well as:

The Diary of Mr Poynter

An Episode of Cathedral History

The Uncommon Prayer-book

A Neighbour's Landmark

A Warning to the Curious

Rats

The Experiment

The Malice of Inanimate Objects

A Vignette

(And it also has the excellent John Atkinson Grimshaw painting on the cover entitled "Where the Pale Moonbeams Linger").

30 of 34 people found the following review helpful.
Stories Awesome: Annotation Lame!
By Severian
The stories of Mr. James are above reproach; unique in English literature for being subtle and creepy at the same time and shaped by James' knowledge of medieval history, English history, and the occult. The question for the reader is whether they want to pony up [...] for the Penguin annotated editions of James' tales, as the James repertoire is in the public domain and you could read many of these stories for free on the internet and / or get a [...] copy of the "Collected Ghost Stories" from Wordsworth Press and get 30 out of 33 of the stories featured in the two combined Penguin volumes. So the question then is are Joshi's notes and intros worth about [...]?

S.T. Joshi is an immensely gifted editor and critic. His studies of the "Weird Tale" are modern classics in the field, and the immense work he has put into his Lovecraft bio and his annotated Lovecraft volumes are a paradigm. There is no doubt that if Mr. Joshi put the full focus of his attention on working with James' material that he could have easily justified the purchase price for these books. Unfortunately, Joshi, for whatever reasons, just went through the motions here and produced a fairly pedestrian work of annotation and criticism to accompany the text.

Joshi's annotated Lovecraft or annotated Blackwood (also available from Penguin) are superb works of annotation - each story has copious notes explaining themes and background of the work at hand. In approaching James though, Joshi appears dutiful at best or even bored. Many tales here have less than half a dozen bland notes, and many of the notes are nothing more than scutwork, translations and nutshell bios of historical figure mentioned.

This would be fine if James needed no annotation. (But then why buy these books at all?) The true issue is that James' work would indeed benefit from some first grade notes. For instance "The Stalls of Barchester Cathedral" is a story involving an ambitious clergyman who schemes to murder his inconvenient predecessor who is holding him from a promotion. The career of the sinister cleric has many subtle details that point up James' low opinion of him based on his theology and clerical administration policies.

For a modern reader who is not fully aware of Episcopalian intra-denominational quarrels in the late 19th Century, knowing this info will add a new level of depth and interest to the story. Instead, Joshi tells us none of this and simply translates a few Latin phrases and fleshes out a few Biblical citations, something the ordinary reader with internet access could do on their own with a [...] copy of the stories. In comparison, Joshi's notes in his annotated Lovecraft for "Herbert West Reanimator" (one of the slightest and most pulpy of fictions in the HPL body of work) are far more detailed, engaging, and affectionate.

Now you might say "well who cares about Episcopalian church governance squabbles of the 19th Century?" and indeed the Barchester story works very well even if the reader knows none of the "extrinsic" detail. But yet the entire point of an annotated edition is to add maximum depth and detail to a story for those interested in pursuing such a level of analysis. To provide a minimalist annotation defeats the entire purpose of the endeavor, as the reader may be better served by dispensing with the slight commentary offered and simply reading the work in question cheaply or for free while doing their own cursory research as needed for historical figures, translations, etc.

The problem may be that Joshi is well-known for his postulate that a Christian perspective is incompatible with effective horror writing. Joshi is a rather strident atheist and feels that atheism and similar godless perspective make for the most creative and interesting horror. I see his point, but yet the existence of effective horror by pious men like Hawthorne and Montague Rhodes James acts as a counterpoint to Joshi's thesis. This is not to say that Joshi sets out to sabotage James with lame notes - rather it perhaps shows why Joshi viewed this particular exercise as a bore and a task rather than a pleasure.

I do not wish to psychoanalyze the editor too much; my theory above may be entirely wrong. However, the heart of the matter is that if we compare Joshi's notes and analyses on the stories of the pantheistic Blackwood, the existensialist Lovecraft, or the atheist Ligotti, we see that he has done a much better job than here. Maybe this is due to the fact that he finds these others more personally simpatico, or perhaps he simply finds detailed textual analysis of James to be uninteresting.

In any case, the ultimate answer to the question of whether a reader should purchase these two volumes of James' ghost stories is probably not. The much cheaper Wordsworth edition (though less aesthetically pleasing) will offer all the pleasures of the original text (or 90% of them anyway), the somewhat cheaper Oxford World Classics Edition though offering only 20 or so tales has a far better intro and notes by Michael Cox, and for the ultimate discount, most of these tales are in the public domain and can be tracked down and read for free over the internet. Joshi, though ordinarily adding enough value to an annotated edition to justify a higher price, has fallen down on the job here and given us a bare-bones minimal effort annotation effort.

10 of 12 people found the following review helpful.
Academic and Exciting Ghost Stories
By Dave
M.R. James' scholarship in the areas of medieval manuscripts and church history manifest themselves in appreciable ways throughout his many stories. The stories range from definitively supernatural (Canon Alberic's Scrap-Book) to those that really allow you to question the reality of the events described ("'Oh, Whistle, and I'll Come to You My Lad'"). James has a wonderful grasp of just how much background story is necessary to create story and character depth, while at the same time establishing a mood conducive to truly spooky and chilling revelations.

Jame's training and knowledge allow him to tap into real history and geography, as well as invent things which seem utterly plausible - the Penguin notes are helpful in circumventing extensive research to determine whether a place is real or not, and what historical relevance there might be for the story. However, those not interested in this may grow tired of the notes and those pursuing studies will find the recommended reading of far more pertinence.

This is a nice, portable introduction to M.R. James' ghost stories and is highly recommended to those that are interested in the gothic and to anyone who enjoys a good short story.

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Kamis, 03 Januari 2013

[A152.Ebook] Ebook The Complete Guide to Sony's A6000 Camera (B&W edition), by Gary L. Friedman

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The Complete Guide to Sony's A6000 Camera (B&W edition), by Gary L. Friedman

Written for one of the best travel cameras ever made, this comprehensive yet easy-to-understand guide for the Sony Alpha 6000 is written for the advanced user (with tutorials and easy explanations in case you're not so advanced). In it we provide a thorough guide which explains each feature in plain English and provides hundreds of visual examples as well. There is no better way to learn about and get the most out of your camera. Get the most out of your investment and enjoy learning more about it at the same time! A complete description, preview pages and a table of contents can all be found on the author's website.

  • Sales Rank: #372905 in Books
  • Published on: 2014-07-26
  • Released on: 2014-07-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.50" w x 6.00" l, 1.91 pounds
  • Binding: Paperback
  • 598 pages

Most helpful customer reviews

65 of 69 people found the following review helpful.
My Initial Impressions - UPDATED
By Mark C. Thomas
I got my a6000 in April as a birthday present. Just purchased this Guide in late August. This is my first Sony camera. My other cameras are Canons. I have not read thru this guide yet, so this is just an "initial impression." I'd like to come back later with a more specific review later after I've used the guide for a month or so.

In scanning thru the book, it seems to be very thorough and well-written, with plenty of plain English explanations and descriptions. Definitely more than just a "manual" that simply tells you what all the buttons and menus mean. It talks about all the buttons, all the menu options, plus much more re how and when to use certain settings etc. Seems to be a good teaching guide in addition to a "user" guide. It's a little over an inch thick -so there is plenty here to read. My first impression is that this will be a very good resource for me. One immediate downside I notice though is that although the pictures on the cover are beautiful color photos (taken with the a6000 I assume), all the actual pictures used as samples to explain items are black and white! The B&W photos don't help very much with the explanations - can't see the nuances that are being explained in the book. Plenty of helpful pictures throughout the book, but you can't get any appreciation of what's being described or explained because the pics are B&W. In my view, this really craters a huge potential value in this book. Aside from the useless B&W photos, the context, tone, method of explanation, and thoroughness all seem top notch. I'm sure I'll still learn a great deal.

====================================================
UPDATE: 29 Aug 20014

I can provide an update now that I've gone through the Guide, grouped in + and - below.

This is a great resource for a6000 owners and I'm changing my rating from 3 stars to 4.

+ Re my original comments about the pics in the Guide being in B&W ... I discovered that the author does indeed provide a free full color PDF version of the book if you send him an email with your receipt attached. Once you download the free color PDF version, you can see all the material in color, including all the sample pics. Can also download the PDF version to your other devices. [This free download is mentioned in the intro pages prior to the Table of Contents, so you may miss it if you are not looking for it.]

+ This not a "pocket guide" by any means. At almost 600 pages, it's pretty thick. But I can't think of any material that was superfluous or irrelevant. Except for a few pages devoted to plugging the author's photography blog and photography seminars, it was all good, useful content provided in a tone focused towards users that are a few steps beyond "beginner." I'll take the few pages of advertising given all the other good, succint, plain language guidance and tips.

+ Extra tips and techniques that apply to digital photography, regardless of camera, are provided in the back.

+ Guide is well-written and provides short explanations, detailed explanations, sample pictures, sample menu screen shots, and tables for quick reference. Every item, button, and menu option is explained in a friendly, understandable manner.

+ I sat down with this Guide, a6000 in hand, and reviewed all my settings while reading the Guide explanations.

-All the page references are off by 2 pages. For example, the Guide (and Index) may refer to an item on page 31, but the actual item being referred to is on page 29. Maybe this was caused by the addition of the 2 intro pages after final edit?

-A couple of instances where the exact same text is repeated on multiple pages. Not sure if this was intentional or not. Repeated text makes it seems like the book was not closely edited.

36 of 38 people found the following review helpful.
Very disappointed in not getting a response to my email request ...
By Patricia Bock
Much detailed, helpful instructions on using the camera to its full capabilities. Very disappointed in not getting a response to my email request to get access to the PDF file of the full-color example photos. This request was made per instructions in the book's Forward.

19 of 19 people found the following review helpful.
Great book!
By Richard Otis
The Sony A6000 manual that comes with the camera is sadly lacking. This book gets into the "secrets" of the camera so an individual can get the most out of the functionality of the camera. I bought the black and white book as it was much cheaper than the color copy. Once you have the B&W version, there is on page ii of the book direction on getting a pdf copy from the author. Great book!

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Rabu, 02 Januari 2013

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Sign and the Seal: The Quest for the Lost Ark of the Covenant, by Graham Hancock

The fact of the Lost Ark of the Covenant is one of the grant historical mysteries of all time. To believers, the Ark is the legendary vesel holding the stone tablets of the Ten Commandments. The Bible contains hundreds of references to the Ark's power to level mountains, destroy armies, and lay waste to cities. The Ark itself, however, mysteriously disappears from recorded history sometime after the building of the Temple of Solomon.
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  • Sales Rank: #278423 in Books
  • Published on: 1993-07-02
  • Released on: 1993-07-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.44" h x 1.50" w x 5.50" l, 1.34 pounds
  • Binding: Paperback
  • 608 pages

From Kirkus Reviews
English journalist Hancock retells the circumstances and thoughts that led to his discovery that the Lost Ark of the Covenant really exists. (Note that the subtitle is not How Indy and I Raided the Lost Ark.) Hancock was in Ethiopia in 1983, having been hired by the Ethiopian government to write and produce a coffee-table book extolling that country. He was greatly surprised when told that Ethiopia's Falasha Jews did not exist, and that many people could land in jail, or worse, if he went around photographing such nonexistents. Even so, off he went to Axum, deep in the desert, to see the temples and statuary of the Black Jews of Ethiopia. What he found was a sect that claimed to have the original Ark of the Covenant. Refused entrance to the sanctuary of the jealously guarded Ark, Hancock went home--and saw Steven Spielberg's Raiders of the Lost Ark, which inspired him to investigate the history of the Ark. Built at the foot of Mount Sinai, Hancock tells us, it ``was deposited [around 955 B.C.] by Solomon in the Holy of Holies of the First Temple.'' Later, Hancock says, it was stolen by Solomon's outcast son and carried south to Ethiopia and kept there for 800 years by a Judaic cult. Then it apparently was seized by the Knights Templar, who thought that it was the Holy Grail. The Knights converted the Jews, who kept the Ark in a great church. And to protect the Ark, all of the churches in the cult have their own replicas of the Ark: The original is never seen, even on the holiest days of the year. In 1991, during the Gulf War, Hancock returned to Axum to see the Ark--and was refused. Not as much fun as might be hoped as Hancock digs through literary and bibical texts while convincing himself that the Ark exists. (Sixteen pp. of b&w photographs--not seen.) -- Copyright ©1992, Kirkus Associates, LP. All rights reserved.

Review
The Western Morning News As readable as a first-class detective story...

The Seattle Times Anyone who likes a great intellectual detective yarn will plunge into The Sign and the Seal and not come up until the end.

From the Inside Flap
A compelling brew of mystery, crime, and science revealing the details of high-tech murder investigation.


From the Trade Paperback edition.

Most helpful customer reviews

89 of 97 people found the following review helpful.
Historical Detective Work at its Finest
By Daniel Jolley
This is an exceedingly interesting book, albeit controversial, for anyone interested in "history's mysteries." For those of us who have pored through the works of Zecharia Sitchin and dared to ponder questions that the scientists and religious authorities regard as sacrilegious (after all, science itself is a religion), this is especially interesting material. You don't have to believe in Hancock's theories (although he offers a weighty, serious argument for them) in order to love this book. Even if you regard the idea of the Ark of the Covenant resting in Ethiopia (or the notion that the Ark even exists) as preposterous, you can still enjoy this book in the same way you can delight in Sir Arthur Conan Doyle's Sherlock Holmes stories; this book is about solving a mystery. Just as Holmes' series of adventures often resulted in no real, firm, graspable truth, so is the case here. This detracts little from the story, however. The final judgment is left up to you, the reader, which is the trademark of any substantive mystery--only in this way can the great and unattainable "truth," in its most esoteric sense, be glimpsed.
Granted, Hancock is not a scientist or theologian, but this may in fact serve as his greatest qualification for tackling the types of lofty problems he embraces. After all, the vast majority of scientists and theologians dismiss without consideration the sorts of "wild" ideas discussed in this book; if not for the open minds of men like Mr. Hancock, many truths that have now been established would remain jokes told by the arrogant "experts" over tea--take, as an example, the discovery of Troy. As for the content of this book, it truly is a mix of history, religion, and archaeology. This is not Indiana Jones' quest for the Ark of the Covenant, so anyone looking for that sort of action will be disappointed. Anyone expecting to see pictures and Hancock's personal descriptions of the Ark will also be disappointed. Whatever rests in the Church of Saint Mary of Zion in Ethiopia will not and probably should not be revealed to the eyes of anyone other than its appointed guardian.
What you will find in this book is a lesson on the history of the ancient Israelites and of the Biblical Ark, a history of Ethiopia (which I for one had never really heard the first thing about), a history of the mysterious Knights Templar (truly fascinating and mysterious men), and an enlightening story of Gothic architecture and mediaeval literature. Parzival is not an easy book to read, and thus it is rather unknown, even though it is just as important (and, if Hancock is correct, much more important) than Malory's better-known treatment of King Arthur and his search for the Holy Grail. The idea Hancock presents, namely that the Holy Grail was in fact the Ark of the Covenant, manages to bring together the story of the two most important Biblical artifacts in history. If you have an open mind and a zest for "understanding," then this book should definitely be included on your reading list. Believe Hancock's opinions or not, the tale he tells is fascinating, dramatic, and intellectually enlightening.

31 of 31 people found the following review helpful.
Fascintating, but sloppy
By Simon Kinahan (simonk@cadence.com)
I found this book and exciting and stimulating read, and Hancock does his research well, as best I can tell. He leaves the reader with a great deal to think about, both in the biblical context of discovering what happened to the Ark, and in the Ethiopian context of the unusual reverence the Ethiopian Orthodox Church has for the Ark, and their claim to possess the original artifact.
However readers should be forwarned that, as in all his other work I have read, Graham Hancock is willing to draw the most sensational conclusions from what appears to be very scanty evidence. He links his ideas together very poorly and often reasons from ealier conclusions that, while they seem reasonable, are never backed up fully. He has no single compelling piece of evidence, just a lot of suggestive ideas.
Nontheless, it is an excellent read, and I highly recommend it. I just want to warn those who read it and feel 'all them historians and egyptologists is wrong, Graham Hancock knows the TRUTH' that he never proves any of his theories, and therefore as well as not being easy to dismiss, his ideas should not be too easily accepted.

58 of 67 people found the following review helpful.
West Arabian evidence
By DR. BERNARD LEEMAN
Hancock's book is an entertaining account of an enthusiast who, from his own admission, was largely ignorant of his subject when he set out to discover the truth about it. The book has three main flaws. Whether by design or cultural self-centeredness, Hancock is too interested in searching for Knights Templar involvement, although the so-called Templar crosses in Ethiopia/Eritrea date from the 5th century AD. Linking the Ark to medieval Europeans sells books [Munro-Hay's Aksum (1991) and The Ark of the Covenant (1999) are far more informative but don't sell outside academia because European historical romanticism is absent in his works]. Secondly, Hancock had little understanding of the Kebra Nagast, which is a combination of two separate works, the Sheba-Menelik Cycle dating from oral (10th century BC) and written (pre-400BC) Semitic sources (Josephus summarises it (ca.90AD); and the Caleb Cycle (ca 518 AD). When Isaac's team compiled the Kebra Nagast around 1314 AD they used an Arabic Sheba-Menelik Cycle and a Ge'ez Caleb Cycle and then put in their own comments to try and make sense of the bizarre geography of the Sheba-Menelik Cycle. This included references to Cairo and Alexandria, which didn't exist in Solomon's day, something Hancock overlooked. Hancock is hardly alone in his third and major miscalculation. It is now generally accepted in mainstream archaeology that no evidence exists in Israel/Palestine of the events and places described in the Old Testament up until the Babylonian captivity. The site of modern day Jerusalem in Solomon's day was covered by a few small villages. There was no great city and nothing has been found of Omri's even more magnificent capital in Samaria. Historical linguistics, Tamil trade words in Hebrew, the lack of Egyptian words in Hebrew, the history of the Iron-Age (The Hebrews of Joshua were iron-age invaders of Canaan but were supposed to have fled bronze age Egypt), 11th century BC political-economic conditions, the name for the Ark in Ge'ez, the pattern of ancient Jewish settlement, the Saudi Gazette of Place Names, inscriptions on the Ethiopian plateau, remnant Judaic populations in northern Somalia and Eritrea, the history of the Queen of Sheba (three are mentioned in the Tigre inscriptions) and the extraordinary geographical references all point to the true location of Solomon's kingdom being between Taima and the Yemen border, in West Arabia, not Israel/Palestine. The Ark was probably stolen from a sanctuary near Abha in Arabia. If Hancock's hypothesis of a theft from the site of present Jerusalem it is difficult to accept that the Ark, reputedly the most dangerous weapon on the planet and in the hands of a small group of hunted desperadoes, would be casually waved all the way through tightly controlled Dynastic Egypt which was ruled by Solomon's own father in law. Hancock suggests the Ark was in the hands of the Elephantine Aramaic-speaking Jewish garrison in the 5th century BC who many commentators believe introduced Judaism to Ethiopia. However the Tigre inscriptions testify to a mixed Hebrew/Sheba population ruled by kings and queens of Shebans around 700 BC, which seems to corroborate the events in the Sheba-Menelik Cycle. Personally I believe the Sheba-Menelik Cycle pre-dates the Old Testament, which was first written around 400 BC without vowels and eventually standardised with vowels between 500-950 AD. Nevertheless, Hancock's work on the Ark in Ethiopia is very informative. What he has missed is a chance to show that the history of the Ark is the key to the true location of the Old Testament.
Dr Bernard Leeman Ethiopian Research Council Former Deputy Head of History, Asmara University sheba@archaeologist.com

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